How do you picture the work in the archives? Dusty pages, creaking in the half-light of old halls of knowledge? Bent-over people shuffling their feet between rows of shelves? The creaking of a microfilm viewer seeming deafening in a silence otherwise interrupted only by occasional coughs? It is probably all happening somewhere and might be a strong impetus behind advocation for the digitization of primary sources.
Yet, the work in the archives is also one of the most intriguing parts of an historian’s work. There you encounter the handwriting of a scholar whose ideas you have followed for so long, and the manuscript closes the gap in time, occasionally bearing traces of its own travels and trajectories through time and space (the result looks a lot like space as well, with stars and planets). Continue reading