As I have indicated before, the age when Ibn Tulun was most widely read might well have been the early 20th century. Ahmad Taymur had copies and photographic reproductions made of several of his works, and historians like ʿIsa Iskandar al-Maʿluf and Salah al-Din al-Munajjid also collected his works. Al-Munajjid also edited several texts within the series Rasaʾil al-Tarikhiyya. And finally, both him as well as others described and discussed Ibn Tulun’s works in the pages of the central organ of Syrian or even Arab historical/literary scholarship, the Majallat al-Majmaʿ al-ʿilmi al-ʿarabi. Continue reading “Placing Ibn Tulun: Evidence from the Majallat al-Majmaʿ al-ʿilmi al-ʿarabi”
And now, to something completely different: the bicycle in Middle Eastern History. Whereas today the bicycle is – arguably – mostly known as a vehicle for leisure, around 1900 it was not only a major means of individualized transportation but it also stipulated the restoration and expansion of road networks that would make the automobile viable, and bicycle races inspired public attention and drew crowds that today seem unimaginable. Moreover, this early history of the bicycle is intricately connected to histories of colonialism, modernity, and Western discourses on the perceived “exploration” of the wider world. Continue reading “Into a bicycle history of the Middle East”
In March, I returned to the Dār al-Kutub in Cairo and spent a whole week with their collection. Ibn Ṭūlūn’s name pops up very often in the different collections of the Dār al-Kutub. The earliest acquisitions are certainly found in the Taymūriyya Library, whereas the general collection seems to have made a bulk order of Ibn Ṭūlūn autographs only by the early 1930s.
Aḥmad Taymūr did not only acquire “originals”, however; he also created copies. One modern way of bridging the gap between both was photography, and Taymūr made ample use of it to create facsimiles of autographs. At literally the same time, he also hired copyists to ensure he had personal copies of Ibn Ṭūlūn texts. One of the most intriguing one is MS Majāmīʿ 315 because it is not a copy of one text but rather of an entire multiple-text manuscript. Continue reading “A whole Majmūʿa copied? MS Majāmīʿ 315”