Ibn Tulun manuscripts in Leiden

Among other libraries, Leiden University hosts several autographs by Ibn Tulun (for an introduction of the Oriental MS collections, see here). The collection is quite extraordinary among those, since every Ibn Tulun text is bound individually, even though most of them are of modest size. Their page numbers range between single and low double-digits. Judging by my experience that would make them ideal candidates for publication in majmu’as (and I address that issue in an article submitted to the Journal of Islamic Manuscripts).

Unfortunately, I have not yet been able to consult the whole collection in person. So far, I had to rely on the catalogue made by Carlo von Landberg shortly after the acquisition in the 1880s and the Handlist of P. Vorhoove. In both, the Ibn Tulun manuscripts are clustered within a range of about twenty call numbers (132-146 in Landberg, 2503-2520 in the Handlist). While this could be attributed to their common author, it is also possible that this cluster was retained from the collection of the Cairene seller Amin al-Madani and ultimately from their original state in autograph majmu’as.

Be that as it may, Leiden has uploaded one of those manuscripts, MS Or. 2512, which contains the short text Tuḥfat al-ḥabīb fīmā warada fī al-kathīb. This is, in fact, the title as it is given in Ibn Tulun’s own work list, whereas the Leiden catalogue gives a slightly different title that is written on the first recto of the manuscript: Tuḥfat al-ḥabīb bi-akhbār al-kathīb.

This is apparently owed to the author’s phrasing that this text contains “mā akhbaranā shaykhunā al-muḥaddith…” and perhaps also to titling conventions at the time when this title was added (the hand is different and more modern than the author’s). Yet, both titles refer to the same work as Ibn Tulun mentions the “warada” title on the verso of fol. 1.

Initially, I was surprised that the writing already begins on the recto of fol. 1. For Ibn Tulun this is highly unusual, especially since the text appears to be a (very well preserved) fair copy. To elaborate, it contains no other handwriting than the author’s, and that is restricted to an even and regular text block of 23 lines per page. The margins seem wider than I have seen in other, more annotated Ibn Tulun manuscripts.

Getting back to my surprise, a quick check on the verso made sure that the text begins only here. Instead, the writing on the recto, albeit also in Ibn Tulun’s hand, seems to be an audition certificate, giving part of the isnad, some of the attendants and the date of the text’s recitation: 9.11.936/15.07.1530. ّIt also indicates that all attendants received a certificate for transmission (ijāzat riwāya) from the author.

The catalogue gives that date as the date of the text’s completion but I am uncertain whether that conclusion can be so easily made. I am not even sure whether we can assume that this specific manuscript was completed before that date. The clean state of it suggests rather that it might be a fair copy of the original, which would have been in existence by 936/1530.

The text itself is a collection of reports and sayings about Moses (al-kathīb) and his shrine (maqām/ziyāra) near the village Masjid al-Qadam, south of Damascus. The most interesting thing about it – for me – is that it appears in Ibn Tulun’s biographical dictionary Dhakhāʾir al-Qaṣr fī tarājim nubalāʾ al-ʿaṣr.

At least three of the biographees included in this work heard recitations of this work. One of those heard it recited at the “Ziyārat al-Kathīb close to the village Masjid al-Qadam” on the same day as the one given in the samāʿ. This Muḥammad b. Mūsā b. ʿAbduh al-Qubaybātī al-Ḥanbalī known as Ibn Qayṣar went on to write a mulakhkhiṣ of this work, giving a rare proof to Ibn Tulun’s reception through emulation.

 

The real manuscripts of Dar al-Kutub

In December 2017, I attended a workshop on Arabic codicology at the French Archaeological Institute in Cairo (IFAO). It was taught by Elise Franssen and co-organized by Mathieu Eychenne and Abbès Zouache.

In this context, we also paid a visit to the Dar al-Kutub, the Egyptian National Library, which holds one of the largest collections of Arabic manuscripts in the world. I also visited its department for manuscript on two more days during my stay. Noah Gardiner has written an exhaustive guide to research and especially the manuscript catalogues of the Dar al-Kutub.

It was my second visit to this institution, after I had spent a week there in November 2016. Before this first visit I had heard from friends and colleagues that with such little time it would not make sense to even try to get access to the physical manuscripts, and thus I restricted my research to the microfilm section, which is situated in a different part of the city (Bab al-Khalq).

To be sure, this visit paid other dividends but it made it apparent to me several questions that could not be answered without consulting the manuscripts themselves. And research at the Nile branch where the manuscripts are kept turned out to be much more pleasant than anticipated. The staff is in general very forthcoming and the head of the section is knowledgeable in manuscripts and himself an experienced editor (muḥaqqiq).

Some things should, however, be considered prior to one’s visit. These are not always congruent with the procedure at the Bab al-Khalq branch, and actually less strict. For instance, computers are allowed. The first thing you should prepare is a list of manuscripts you want to see with call numbers, titles and author names. Secondly, bring your passport or another kind of ID. You will have to leave it at the entrance.

You will need your institution to provide you with a letter of recommendation in Arabic. Best, if it already lists the manuscripts you aim to see. If your institution is not able to do that, one alternative option is to ask at the IFAO if they provide a letter.

The other thing you will need is time. There is the issue of finding and bringing the manuscripts. You can only have one on your desk so these intervals appear repeatedly. And on the first day you might be invited for a review of your letter of recommendation as well. The best time to arrive is around 10:00 a.m. Although the section opens at 9:00, the staff often arrives later than that.

With a closing time at 2:30 p.m., you might need at least a week if you are interested in the content of a longer work. Time is also required if you prefer to get images of the manuscript. In my experience, they will usually be made within the day but not long before closing time. And if you don’t want the full manuscript, calculate an extra day to get also those pages photographed that were missed on the first try (Do not make the mistake I made!).

Finally, the images are of a good quality albeit not of a resolution as high as those you get from, let’s say, Chester Beatty Library. But then you pay a pittance compared to that library. The only downside is the watermark that all images from Dar al-Kutub carry. Unfortunately, that leads to some annotations being not as legible as in the manuscript itself.

During my admittedly short stay, the other visitors could be counted on one hand. So if you need manuscripts from the Dar al-Kutub, the time to get them is now.

Did Ibn Ṭūlūn read Ibn Iyās? A manuscript from Paris

One obvious course in establishing a scholar’s importance as well as his intellectual biography is the search for manuscript copies of his works. Whereas this step of my project is mostly finished, a recent attendance at a codicology workshop at the IFAO in Cairo did bring up this topic once more.

I am grateful to IFAO’s own Robin Seignobos who pointed me to MS Paris, BnF, Or. 3973, which contains a text on Nile tides ascribed to one Shams al-Dīn Muḥammad al-Dimashqī al-Ḥanafī (fols. 170-189). He also made me aware of David Wasserstein’s article “Tradition manuscrite, authenticité, chronologie et développement de l’oeuvre littéraire d’Ibn Iyās” (Journal Asiatique 280 [1993]: 81-114) which provides a more detailed description of the manuscript and the text.

Finally, Robin speculates that this text, “Nuzhat al-khāṭir wa-bahjat al-nāẓir fī ziyādat al-nīl wa-nuquṣānuhu wa-muntahā ziyādatihi wa-awānihi“, was authored by Ibn Ṭūlūn.  If this is the case, this would be the second Ibn Ṭūlūn text in the Bibliotheque nationale de France. The other one is a short prayer likewise included in a composite manuscript (MS ar. 1945, fols. 67b-68a) which references itself as “ṣalāt Ibn Ṭūlūn” (fol. 68a).

Yet, in both cases the question remains whether the author really was “our” Muḥammad Ibn Ṭūlūn. Both manuscripts are later copies of an original according to their colophons. It is interesting that the given author name, in MS 3973, lacks the most distinct part of Ibn Ṭūlūn’s writerly identity, whereas in MS 1945 it is the only element of appellation.

Here, however, I will rather talk about the topic of the text on the Nile to substantiate Robin’s suggestion. Ibn Ṭūlūn wrote texts on Egypt (al-Ajwiba al-jalliyya ʿan al-asʾila al-miṣriyya, Ḥawar al-ʿuyūn fī tārīkh Aḥmad Ibn Ṭūlūn, ʿAjab al-dahr fī tadhyīl min malik Maṣr) and he wrote texts on recurring natural phenomena (e.g. in his Nukat al-tārīkhiyya, nos. 19, 22 or his works on animals or plants) but there is no evidence in his work list nor his autograph manuscripts that he ever combined both.

Moreover, as far as we know he never traveled to Egypt to see the Nile with his own two eyes. (In turn, this might help explain why his name is given as it is in a compilation that is clearly Egyptian. For an Egyptian audience, he was simply a Ḥanafī and Damascene.)

I should mention that the Nuzha is vocalized throughout. While this can be attributed to the manuscript being a later copy, it might point to a very different readership that Ibn Ṭūlūn’s autographs originally had.

That being said, the Nuzhat al-khāṭir shares some characteristics with Ibn Ṭūlūn’s known writings. But in some ways it stands out amongst them: The basmallah is followed by an exceptionally short Tamḥīd: “al-ḥamdu li-llāh”. Elsewhere, this section often covers several lines of texts. Instead, it is followed here by several lines of rhymed prose.

Then, the text starts in earnest after the ubiquitous “wa-baʿd”. In general, Ibn Ṭūlūn would almost instantly follow this with the title of the work and often an indicator towards its genre (most often “taʿlīq”). This element is missing in this text, which could discredit it immediately as a false ascription or possibly the work of another Damascene Ḥanafī scholar by the name of Muḥammad. However, the following introduction sounds very much like something that Ibn Ṭūlūn could have written:

فقد وقفت على كراريس مخرومة الاوائل متعلقة باخبار المبارك الاعلام جامعها و يمكن الوقوف على اسمه من ديباجة تاريخ له و سماه بدايع الزهور في وقايع الدهور وجدتها محتوية على لطائف و حوادث و غرائب و تواريخ في زيادة النيل و نقصانه
fa-qad waqaftu ʿalā karārīs makhrūma al-awāʾil mutaʿlliqa bi-akhbār al-mubārak lā aʿlam jāmiʿahā wa-yumkin al-wuqūf ʿalā ismihi min dībājat tārīkh lahu samāhu “Badāʾiʿ al-zuhūr fī waqāʾiʿ al-duhūr” wajadtuhā muḥtawiyyatan ʿalā laṭāʾif wa-ḥawādith wa-gharāʾib wa-tawārīkh fī ziyādat al-Nīl wa-nuqaṣṣānihi
I have come upon some incomplete quires attached to “Akhbār al-Mubārak”.*  I do not know whether the work is complete. It is possible to gather the ism (the author’s name or the work’s title?) from the poem on history (or date?). He called it “Badāʾiʿ al-zuhūr fī waqāʾiʿ al-duhūr”. I found it comprises subtleties, events, oddities, and dates of the Nile’s high and low tides. 
* I am not sure whether this is a title; the name Mubārak could relate to one of several traditionaries (e.g. ID: 14138, 3960, 14173, 14212, 14292, 14410, 14457, or 14081 in the onomasticon arabicum).

The name of the excerpted work will be well-known to most people familiar with the later Mamluk period. It is none other than the great chronicle of Abū al-Barakāt Muḥammad Ibn Iyās al-Jarkasī al-Ḥanafī (1448-1524), which is perhaps the most important Egyptian source on the Ottoman conquests.

According to Brinner’s article in the Encyclopaedia of Islam 2, his oeuvre remained relatively unimportant in his own time, which is supported by the state in which it was found by the author of the present treatise. If this indeed was the case, the work’s reception seems more probable in the first decades after his death than much later.

As far as I know, no connection between him and his Damascene counterpart Ibn Ṭūlūn has so far been known. Yet, Ibn Ṭūlūn would have been the person to acknowledge the value of an obscure fragment he found in the back of a manuscript.

The way the text is introduced further points to Ibn Ṭūlūn as the author: Instead of an author or abstract text, the author refers to a distinct manuscript, apparently a majmūʿa containing at least two texts. What follows, is in form and content quite similar to many of Ibn Ṭūlūn’s works, namely commented excerpts of another author’s text, which he extracted and compiled around a specific topic.

The text is structured by source and thereby to a certain extent also by theme.  It begins with legends or sayings about the Nile and its springs that is followed by a description of its geography (one of the sources there is al-Masʿūdī). Then the text addresses the measurement of the nile floods (starting fol. 176b). A strict annalistic order begins only on fol. 181b and seems to be taken from a work by Ibn al-Jawzī. From there to the end, nile floods from 208 through 922 AH are described.

Unfortunately, I must admit that I do not know Ibn Iyās’ Badāʾiʿ well enough to say how much of this treatment of the Nile is taken from his work. Yet, to me it seems that such an argument would not be found in a chronicle of a basically political-social nature.

However, the structure is reminiscent of Ibn Ṭūlūn’s bio-topographical work on a cemetery in Damascus, Ghāyat al-bayān fī tarjamat al-shaykh Arslān. The biography as such is followed by a description of the cemetery and concluded with several biographies and events in which it played a role. Therefore, I would say that it is probable that this work on the Nile be added to Ibn Ṭūlūn’s established corpus.

That leaves the question why this text does not carry the characteristic description as a taʿlīq. One tentative answer could be that it was not written in a scholarly or educational context. That might also explain why it is not mentioned in Ibn Ṭūlūn’s work list.

Digital Perspectives on hypotheses

Earlier this year, I attended the second instance of the Digital Humanities Institute Beirut (#DHIB2017). It was the second of its kind in the Arab World and, thanks to the generous support by AMICAL it offered participation free of charge (also it included nice gimmicks such as a reusable water bottle which I have since lost, a high-quality tote bag, and a notebook with its own sticky tags and notes).

The DHIB featured, among other workshops, two sessions on markup languages: multimarkdown and TEI XML. Since I am still struggling to understand how to integrate either of those into my own research and publication process, I will not dwell on those – mostly failed – efforts here.

Now, I kind of forgot about this entry for some time and some of it might seem dated by now. Yet, as the first ever digital humanities internship at the Orient-Institut Beirut draws to a close, bringing us that much closer to a publication of our Arabic text editions in a workable html format (besides the classic print and open access PDFs derived from it), it might regain some of its earlier timeliness.

Instead of summarizing the DHIB, it might be a better idea to point out those blogs on hypotheses which are much further in their mastery of digital possibilities and thus offer advise to others who want to stride down this road.

The first one is foxglove which gives you an overview of French DH initiatives. It also introduces workflows for TEI related edition projects for Latin script texts.

In contrast, Freakonometrics is rather concerned with optical character recognition and machine-readability of texts (e.g. PDFs). In general, it is rather about text analysis than text enrichment but it also provides perspectives on the usefulness of markup languages.

 

Personally, I find the third one, Himanis, the most interesting. Himanis is short for “HIstorical MANuscript Indexing for user-controlled Search“. It speaks to me mostly because it brings together Digital Humanities perspectives and an understanding of books as objects. The notion of books as objects becomes especially important when thinking about their organization in book cases or shelves. How they deal with that in their TEI based edition of royal charters, they explain here.

Obviously, hypotheses has much more to offer which I will not address here at length. And for those who, like me, read French at a snail’s pace, there are also all-English sites. For instance, digilex covers the creation of a digital dictionary of spoken German with TEI and XSLT.

But one of my favorites is certainly The Recipes Project. They again start out from a distinct interest in manuscripts and old texts. In addition to sharing their insights about encoding these texts in a digital format, the blog also provides useful descriptions of manuscript collections, digitization, historical trajectories of books, teaching with manuscripts, and flabbergasting bits and pieces from the history of strawberries. Even though it deals exclusively with European texts, everyone should check it out.

 

A recapitulation of this blog’s first year

I started this blog in mid 2016 but honestly, I started to take it more seriously as a writing practice and aide de memoire only in the last year. And I usually enjoyed it. The format is perfect to get you out of a writing slump since all the great hurdles that come with conceptualizing an article, let alone that book proposal at the back of my head, just fall away. That has hugely helped me with formulating and testing ideas for those endeavors.

Now the first year has come to an end and, apart from the last two or three months, I was able to publish at least one entry per month. And several for the new year have been written and scheduled to fill up the always busy January.

One thing that makes writing in this format fulfilling is obviously the quick affirmation. I am thankful that hypotheses includes simple analytics, and I get motivated by every spike or peak in the visitor numbers. Of course, writing alone does not bring people to this one blog.

Analytics of visits for 2017

As this snapshot shows, there has been a noticeable increase in visits in December (it just looks less because the image was created on the 18th. For this, I have to thank Fozia Bora, whose tweet about it was retweeted 33 times.

And I have stayed true to my word and started to publish new posts. In the enxt two weeks, another one on my recent experiences at the Egyptian National Library with some hints about getting access will follow.